Remove Excessive Anchor Points from Your Lettering

In This Lesson...

• How too many anchor points makes vector lettering a pain
• Astute Graphics' 'Smart Remove Brush' Tool

Excessively Anchored

Here's the scenario: You've handdrawn a beautiful, script styled 'Z' and painstakingly vector traced it in Adobe Illustrator using a stroked, calligraphic brush. Nice work!

Now, for any number of reasons, let's say that you have to outline your stroked path(s) to create a shape.

Yuck! Look at all those anchor points! You may not know it, but these little guys can turn your vector lettering project into a hellish nightmare. How? By nullifying bezier handle control and severely impeding your ability to modify shapes quickly and accurately. Take a look at this video and see how difficult it is to manage all these points when editing.

Clean Letters. Fast Vectors. 

So, how does one quickly remove the excessive anchor points that come with outlining a stroked path? There are a couple of options, but there's only one tool that I absolutely trust to maintain the core geometry of shapes while removing non-essential anchor points: Astute Graphics' 'Smart Remove Brush' tool (part of the VectorScribe v2 plug-in pack).

Check out the video below to see the 'Smart Remove Brush' tool in action. The tool is super simple to use, just point and click, but it also has variables that allow you to control brush size and strength. I started using the 'Smart Remove Brush' two years ago, and it's been an extreme time saver with my client work.  If you're intrigued, I'd recommend downloading the free trial to experiment and see whether or not this tool would be a helpful addition to your workflow.

Next Time on Type Builder

The hand lettering scene is bursting with beautiful brush pen work. Brush pens are a great way to add style and character to any design, but you don't have to be a master penman to use them effectively. Check back next time for some practical tips on using brush pen markings as a base for vector tracing sophisticated letterforms.

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Lettering with Illustrator's 'Shape Builder' Tool

In This Lesson...

• Difficulties of tracing anchor point to anchor point
• Drawing lines past their intended stopping point
• How to use the 'Shape Builder' tool to improve your vector tracing

A New Approach

As I continue to learn more about the art of vector lettering in Adobe Illustrator, I sometimes step back, think about my process as a whole, and try to hone in on the tools and techniques that are most essential. Recently, I realized that there is one tool that truly revolutionized my approach to vector tracing letterforms: The 'Shape Builder' tool.

Outline & Anchor Point Headaches

Before discovering the "Shape Builder' tool, I would trace the entire outline of each letter in my composition one anchor point at a time. Working this way drove me nuts for three reasons:

1. Inconsistent Construction
   • When each letter in a composition is traced individually, it's more likely that your finished, vector letterforms will lack cohesion. The cold precision of a vector path is much less forgiving of inconsistencies than the warm, fuzzy quality of a hand drawn pencil marking.
2. Shape & Edge Confusion
   • Sometimes it can be difficult to visualize and trace paths properly at major intersections and transitions. Outline tracing one anchor point at a time requires a high level of bezier handle command that most beginners simply don't have.
3. Inability to Reuse Letter Parts
   • When different letterforms share similar design elements, I think it's much faster and more efficient to reuse rather than retrace.

Drawing Lines "Long"

When I discovered the 'Shape Builder' tool, it was a complete accident, but I immediately realized its potential for aiding in the vector trace of letterforms. In college I trained as an Industrial Designer, and one of the most valuable things I learned during that time was the practice of drawing lines well past their intended stopping point. Doing so frees up the drawing muscles in your arm and hand, which leads to increased confidence, greater precision establishing angles and intersections, and ultimately, cleaner, more beautifully drawn forms. 

Out of habit, I carried the practice of drawing lines "long" into my hand lettering, but outline tracing letters anchor point by anchor point requires a different, less intuitive way of thinking. The result of merging these disparate practices was hours of frustration and vector letters that failed to match what I saw in my mind and on my sketchpad.

Trace Like You Draw

Using the 'Shape Builder' tool allows me to trace in a way that is more closely aligned to how I draw. I can trace my paths longer than needed and simply trim the excess later. Here's how it works:

1. With my hand lettering placed in a locked layer at 30% opacity, I trace my lines "long" and make sure that points of intersection actually intersect (leaving no gaps).

2. Select all the lines used to trace your letterform.

3. Choose the 'Shape Builder' tool and merge the letterform into an enclosed shape.

4. Select the merged letterform, and hit Cmd-3 (Mac) or Ctrl-3 (PC) to 'Hide.'

5. Delete the excess path segments.

6. Press Cmd-Alt-3 (Mac) or Ctrl-Alt-3 (PC) to 'Unhide.'

If you have trouble vector tracing your hand lettering with outlines only, routinely encounter bothersome inconsistencies across letterforms, or find it difficult to accurately capture the subtleties of major path intersections and transitions, then give the 'Shape Builder' tool a try. It may change your entire approach to tracing for the better!

Next Time on Type Builder

Vector tracing your hand lettering in Adobe Illustrator can be physically strenuous on your eyes, neck, back, shoulders, hands and hips. And not the good, blood-pumping, I-feel-so-alive strenuous associated with a trip to the gym. On the next Type Builder, I'll share a quick and easy movement circuit I use to break up my vector tracing sessions, re-energize, and relieve the stress caused by hours of staring at my monitor.

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Vector Trace the Letter 'S' with Confidence

In This Lesson...

• The pitfalls of freestyle 'Pen' tracing
• A simple, geometric setup for 'S' tracing
• The Invisible 8
• Bonus Tip

That Dreaded 'S'

The first time I tried vector tracing my hand lettering in Adobe Illustrator was for local salon logo. The whole thing was a mess, but the 'S' in 'Salon' was particularly atrocious. It took some time, but eventually I discovered that there are two basic options for tracing an 'S' in Illustrator:

1. A freestyle trace with the 'Pen' tool
2. A trace guided by a simple, geometric setup

These days, I routinely combine the two options, but when I was still struggling with my vector tracing skills, I leaned heavily on the guided, geometric setup. Freestyle tracing with the 'Pen' tool almost always lead to inconsistent letter thickness, flat spots on curves, and generally awkward results. With time, practice, and an understanding of the basic 'S' geometry, these issues eventually gave way to clean curves traced quickly and confidently.

The Invisible 8

I use a method that I call the Invisible 8. It's a great technique if you're new to vector lettering. Use it as a guide for the actual trace of your 'S' or reference it as a way to improve your hand lettering. Here's how the Invisible 8 works in Adobe Illustrator:

1. Sketch an 'S' and place into a locked layer at 20% opacity.

2. On a new layer, create your Invisible 8 using the 'Ellipse' tool.

3. Add two lines that define the 'S' spine. (Allow your lettering sketch and designer's eye to define the angle of these lines.)

4. Select all your Invisible 8 lines, reduce opacity to 30%, and lock the layer.

5. Use the Invisible 8 to guide the tracing of your 'S' on a new layer. (**Bonus** Use the Invisible 8 plus pre-mapped anchor points for even more precision.)

Next Time on Type Builder

On the next installment of Type Builder, I'll be introducing something that absolutely every vector letterer should be using: The 'Shape Builder' tool.

PS...I just created the Type Builder newsletter. Sign up below to have Type Builder delivered directly to your inbox!

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Why I Use Lined Paper for Hand Lettering

In This Lesson...

• Why your hand lettering doesn't need to be perfect
• How lined paper aids vector tracing in Adobe Illustrator
• Different types of lined paper and a few recommendations

Functional Lettering

If your goal is to create clean, beautiful vector lettering in Adobe Illustrator, then there's something you should know. Your hand lettering sketches, those highly crafted, intricately detailed works of art that flow from your pen, don't need to be perfect! But they do need to be functional.

The vector tracing tools available in Illustrator are instruments of extreme precision that can help you easily correct any inconsistencies in your hand lettering. The goal in creating a sketch for trace is to strike a balance between having enough visual info to actually realize your vision and spending too much time on details that you can more easily correct in Illustrator. One of the best tricks I've found to help accomplish this is the use of lined paper.

Lined paper is great because:

1. The evenly spaced lines help you make letters that are proportional to one another.
2. It helps establish consistent placement of details, embellishments, and serifs.
3. It acts as a built in set of guides that you can reference while you vector trace.

Lined Paper Preferences

So what kind of lined paper should you use? The kind that works best for you. You can even make your own custom lined paper. Here's what I use:

The Legal Pad

• This is my favorite type of lined paper for lettering. It's visually simple, inexpensive, and feels soft underneath my pen. I typically use a legal pad for more ornate hand lettering.

Grid Paper

• I like to use grid lines to create clean, structured type. It's especially useful for designing logotypes and monograms where those little geometric details and size relationships make all the difference.

Elementary Ruled

• If you like using ink brushes to create scripts, then you know how hard it can be to achieve consistency due to their curvy, flowing nature. Ementary ruled paper (which is meant to aid youngsters in penmanship) is a great practice tool and confidence builder, and its differing line styles help create size distinctions when vector tracing.

Next Time on Type Builder...

If vector tracing the letter 'S' has ever driven you to the edge of insanity, then visit Type Builder next Tuesday (12/29) to learn a simple construction technique that is sure to renew your confidence.

PS...I just created the Type Builder newsletter. Sign up below to have Type Builder delivered directly to your inbox!

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A Timely Tip for Illustrator's Rotate Tool

In This Lesson...

• Why you should use Adobe Illustrator's 'Rotate' tool
• How to rotate around a manually selected reference point
• Using the 'Selection' tool to rotate with confidence

Rotational Excellence

If you're a pro at using Adobe Illustrator to vector trace your hand lettering, then this lesson might be obvious to you. But you know what, it's so dang useful that I'll go ahead and risk your boredom.

When I'm vector tracing my hand lettering and I need to rotate something, I prefer to use the actual 'Rotate' tool (hotkey 'R') so that I don't risk accidentally scaling, skewing, or moving the shape or path I'm working with. My favorite 'Rotate' tool feature is the ability to manually select the rotation/reference point. Why is this so useful?

1. It allows for extreme precision, especially when used with Smart Guides.
2. It saves a ton of time.
   • When I was first starting out, I spent close to a year rotating every object from its center point. Rotate, reposition. Rotate, reposition. Over and over...

The 'How'

How exactly do you manually select the rotation point when using the 'Rotate' tool? It's easy!

1. Select the object(s) you'd like to rotate.
2. Pick the 'Rotate' tool or press 'R'.
3. Click the point you want your object(s) to rotate around.
4. Bada bing!

A similar method that involves the 'Selection' tool may come in handy when rotating circles, ellipses, and irregular shapes and paths:

1. Select the object(s) you'd like to rotate.
2. Click on the 'Selection' tool or press 'V'.
3. Select the reference point you'd like to use from the 9-box grid located in the 'Transform' panel.
4. Choose a corner of the 'Bounding Box' surrounding your object(s) and rotate away!

Next Time on Type Builder...

On the next Type Builder, I'll encourage you to revisit your 'wide-ruled' past and discuss how using lined paper for your hand lettering gives you a leg up when it comes to vector tracing in Adobe Illustrator.

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Mapping Anchor Points Before You Trace

In This Lesson...

• Having a plan before you trace
• Mapping anchor points in your lettering sketches
• Should you map your anchor points?
• The all-important extrema

Plan Ahead

Like any successful construction project, building great type takes planning and preparation before the tracing ever takes place. If you jump into vector tracing your lettering sketches without a plan of approach, you're likely to run into headaches (as I often encountered when I was starting out).

Mapping Anchor Points

One practice that lettering artists use to help with planning during the sketching phase is mapping out anchor points. What's this look like?

The idea is that by figuring out where crucial anchor points are before you trace, you're setting yourself up for an easier time working with those "dreaded" bezier curves in Illustrator (they're really not that bad). Naturally, the question becomes, "Is this a useful technique?" Absolutely, it is, but with a few conditions...

1. Hopefully, you have some sort of basic understanding of how the 'Pen' tool works in Adobe Illustrator. If you don't, that's ok. It's a learned skill, not an innate ability. But, the first few times you map anchor points will probably be useless as far as your trace is concerned. Regardless, give it a try, and learn from your mistakes.
2. If you're the kind of person that gets super stressed when things don't go according to plan, mapping your anchor points could be a bad idea. Lines and curves that look good on paper have a way of turning wonky tonk during the vector trace. Bottom line, you will have to make adjustments on the fly in Illustrator.
3. Are you like me? Do you love the design process but sometimes feel bogged down by all the steps? If so, then it's important that you understand that the design process doesn't exist to rule over you, it exists to offer clarity and direction as you find your way from concept to execution. You don't have to map out your anchor points. It's a useful step, but the only way to get better at vector tracing in Illustrator is practice.

The Extrema

If you do decide to map out anchor points in your lettering sketches, there's one concept you'll need to grasp in order to make it a useful practice: the Extrema

Put simply, anchor points should be placed at the highest, lowest, leftmost, and rightmost parts of your letters...the extremes. A quick way to begin understanding the extrema in your lettering is to draw a rectangle around the outermost points of each letter in your sketch:

You can take this technique as far as you'd like, but be warned that it can clutter up your sketch in a hurry:

Next Time on Type Builder...

Check back soon for the next Type Builder, when I'll be discussing the efficiency, power, and simplicity of the 'Rotate' tool.

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Vector Tracing with a Stroked Path

In This Lesson...

• Two options for vector tracing your lettering sketches in Adobe Illustrator
• The advantages of tracing with a stroke
• Quick tip for those who still prefer tracing with a fill

Stroke Vs. Fill

When you break out the 'Pen' tool and begin to trace your lettering sketches in Illustrator, you have two options:

1. Trace with a stroke.
2. Trace with a fill.

I've gone back and forth between both methods, but ultimately, I believe that vector tracing lettering sketches with a stroke is the superior option. Here's why:

1. When I draw letters with a pen or pencil, I'm creating outlines which are very similar to a stroked path. This makes tracing with a stroke a more natural feeling process than tracing with a fill.
2. I find tracing with a fill to be visually distracting. When I trace with a stroke, I can see my reference sketch much more clearly.
3. I tend to build letters part by part rather making one continuous outline tracing. Working with strokes allows me to edit, move, and reuse individual lines and curves with ease.
4. Curves, the most intimidating part of vector lettering, are easier to visualize, trace, and edit as a line than they are as a shape.

A Tip for Fill Fanatics

If you're a diehard devotee of tracing with a fill, but you would like to occasionally see your trace as an outline, there's a quick way to do so without having to select and switch your paths from fill to stroke:

• Cmd-Y (Mac) or Ctrl-Y (PC) switches your view to 'Outline' mode. If you don't like shortcuts, you can always go to 'View' and select 'Outline' from the very top of the drop down menu.

Next Time on Type Builder...

In the next Type Builder I'll review the practice of mapping anchor points on your lettering sketches before vector tracing.

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Fractions & Perfect Letter Proportions

In This Lesson...

• The natural proportions that exist in your lettering sketches
• Vector tracing benefits of uncovering fractional relationships in your lettering
• The 'Half' Technique

Natural Proportions

Our eyes have the incredible ability of finding aesthetically pleasing proportions in the world around us. We "just know" when something looks too tall or too short, too narrow or too wide in relation to its surroundings, and it bugs us.

When I first started learning to vector trace my hand lettering in Adobe Illustrator, I was surprised at how often I was using fractions to aid in the construction. For instance, I'd routinely find fractional relationships between the height of my capital letters, lowercase letters (X-height), and ascenders (Glossary of Type Terms). I'm no math whiz, but this happened so consistently that I decided to use it to my advantage.

Benefits

If you'll take the time to uncover the fractional relationships that naturally occur in your hand-lettering, I believe you'll reap three distinct benefits in your vector tracing process:

1. You'll achieve proportional cohesion across all the letters in your design.
   • This is especially helpful if your hand lettering skills are still in the early stages of development.
2. You will better understand the placement of key design details.
   • Useful when your lettering incorporates flourishes and fancy serifs.
3. Your speed and confidence will improve.
   • This happens when you can quickly reference a framework of measurements rather than start from scratch on each letter.

The 'Half' Technique

How do I ensure that I'm achieving the proper proportions in my vector lettering? I use what I call The 'Half' Technique. The 'Half' Technique can be used to find both horizontal (x-axis) and vertical (y-axis) proportions. The following explains a vertical proportion setup:

After creating your lettering sketch and placing it on a locked layer in Adobe Illustrator, you simply...

• Create a new layer titled Proportions.
• Drag guides to the top and bottom of your lettering.
• To the far left of your lettering sketch, draw a rectangle between the guides and drag a new guide to its center point.
• Copy and paste the rectangle in place (Shift-Cmd-V/Shift-Ctrl-V)
• Use the 'Free Transform' tool to pull the top edge of the new rectangle to the guide at the center point of the first rectangle...effectively reducing its height by half.
• Continue this pattern as many times as you need throughout the course of your trace.
  • You're looking for areas on your sketch that hit or come close to the y-axis at the same point (see illustration below).
  • Reference your findings to help when tracing less resolved or troublesome letters.
  • Extra Step: Take The 'Half' Technique a bit further by color coding a second set of rectangles, lowering their opacity to 25%, and scaling horizontally across your sketch.

Next Time on Type Builder...

Check back next week to learn why I believe it's easier to vector trace your lettering sketches using a stroke outline as opposed to a solid fill color.

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